mass vanishing of innocent and righteous persons prior to the end times—“The Leftovers” is an aptly bleak that tackles the sudden, inexplicable disappearance of millions.
Still reeling from the loss, denizens of one town react differently to
the unprecedented occurrence that continues to baffle scientists, and
even the religious. It’s not all-out chaos, as things seem normal, only
somber and much quieter. Life goes on for the abandoned, most of them silently questioning the
still-unanswered mystery. Some deal with feelings of unworthiness; but
there are those who carry on, unruffled. A priest (Christopher
Eccleston) dispels the belief that The Departure took only the virtuous
and sinless; he gathers and spreads proof that some of the vilest, most
hateful people were included in the “cosmic” culling.
“The Leftovers” has a tone similar to some fantasy and sci-fi drama
series about encompassing cataclysms or “miracles”—“FlashForward,”
“Resurrection” and “Revolution” easily come to mind—but it certainly is
more dour and less optimistic, its small-town setting giving it a
strange, “Twin Peaks” vibe.
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